The L-5S was the first high end jazz solid body guitar. bands even in the early 1890s. The neck heal had a white plastic cap. Headstocks of US models also use the Gibson headstock shape. The original partners were Fred and Cassie Bacon and Mr. and Mrs. Oliver Winship. Its price tag was $55 as compared to the Martin D-18 at $65 and D-28 at $100. Gibson TP-6 tailpiece became standard. 1973 $895 L-5S a few instruments shipped and cherry sunburst is the only available finish. Size 3 Gurian, either acoustic or amplified. 2: The Histories of Cool Guitars". The 1975 price was $439. The following numbers are the earliest known serial number for the year listed. The second type of headstock, as you can tell by its name, is the angled or tilted-back headstock. The guitar designs, however, were not the problem. Some early necks were cherry before 1912. There was a line of black inlay (or ebony layer) along the centerline of the back of the neck. Modern Gibson Logo open "b" and "o". I'll have to record it and post a tune. You may, . Many banjo manufacturers, in addition to making banjos under their own names, made unmarked banjos for others to sell as well. You'll find Epiphone serial numbers in the standard places. AMF ceased production of LoPrinzi guitars. Jul 15, 2021 - A study of banjo head peg heads. It was the heart of the depression and the instruments cost $60 without a case. The Gibson Company was formed in late 1902 and the early mandolins evolved from the original Orville Gibson designs. USA produced Epiphones of this era bear standard Gibson serialization and include the Made in USA stamp on the back of the headstock. Scott Zimmerman may be able to shed some light on this. Most information about Larson Brothers instruments comes from their catalog published around 1930. The bracing was revised to accommodate the moustache bridge and generally heavier than earlier models. Nice playability, great tone, strong low end and good sustain all the way up the neck. Richard Schneider and assistant Abe Wechter acted as the on-site, full-time luthiers to collaborate and develop Kashas theories and bring them to a manufacturing reality. The name evolved from De Luxe Jumbo to Super Jumbo in 1939, and then to the Super Jumbo 200 (reflecting the price at the time, the case would be $28 extra). For example, the serial number 90237XXX corresponds to a production date of 1/23/97. Intermediate Grade and Best Grade were generally X braced with laminated braces for added strength. The J-160E was Gibsons second design for an electric flat-top guitar following the CF-100. These shoes are shown in an 1890s Washburn banjo catalog, on low end models with . Brown or black finish, some binding only on the top and in the soundhole with one ring around the soundhole. Factory numbers (when the exist) appear in pencil inside on the block where the neck meets the body. The body dimensions basically match the LG-series: 14 1/8 wide by 19 1/2 long by 4 1/2 deep. Pearl twin parallelogram inlays, Bridges: Rosewood belly-down. The appointments of the Southerner Jumbo included more top binding and an additional set of rosette rings. Never seen one with an inlay on the back of the neck. 1959: Larger crown frets and the adjustable bridge. Internally, changes from the J-35 included strengthening the top bracing by moving the X brace 1 additional inch behind the soundhole. The first two digits tell you the month the banjo was built, the last two digits before the dash or space will tell you the year, and the numbers . It is not clear how Gibson decided to set their nut widths and neck thicknesses. Instrumental. Thinner cog gears with no bevel on the edge of the cogs. Depending on the selected source, there is disagreement about these numbers. The public seems to have favored this shape over time as it fetches better prices now. It was available with a brown finish and came as a snakehead or paddle headstock. JR, jumbo size guitar with East Indian rosewood back & sides, chrome tuners. Dark stained plain birch back and sides. Mythology has it that the Southerner Jumbo was specifically targeted at the Southern market honoring rising Country music trends. A head on a long neck open back banjo might sound completely different on a 12-string banjo. How to customize a Huber Banjo; . Laminated maple back and sides is discontinued (FON batch 2828 used maple back and sides). In some cases, teachers would There were some 1 3/4 nuts available. Deering. LoPrinzi Guitars Plainsboro, New Jersey AMF years (serial numbers: high 3,000 4,000s) Tom LoPrinzi was still with the company. It was available with a Snakehead and had a shaped fingerboard extension. These bridges had movable saddles up to about 1917 when they changed to a one-piece compensating bridge design through early 1921. teachers who sold them to students, some of which are tagged with the name of The binding on the top is b/w. The Gibson LG series of flat-top guitars were developed as the natural evolution of the earlier L-Series. The Mark Series guitars were particularly interesting among the Gibson flat tops made in the 1970s due to their unique bracing. A2-Zs were theoretically made during the Loar period of 1921-25, but only between 1923 and 1924. Blake507 - Posted-12/26/2013: 15:42:17. The Mark Series guitars had 16 3/16 lower bouts with very narrow waists, and a headstock like no other in Gibson tradition. S3R3H, Like S3R, with 3-piece back, full herringbone binding, gold tuners. banjos, not surprising since they bought out the Buckbee factory in 1898. Yet somehow, there's a certain cool factor to this one. At least one model, the Epiphone Spirit, was manufactured in the USA during the early 1980s in the Gibson factory in Kalamazoo, MI. The bass of this model will amaze you, and of course the clear brilliant treble is in perfect balance. For once, the hyperbole may have been closer to the truth. There is a Kay company logo on the headstock but absolutely no other identifying marks. By the records, between 200 and 300 were built. This was available in brown, black or blonde finish. Late 1974 gold covered recording pickups are replaced with humbuckers. Dreamstime is the world`s largest stock photography community. The Southerner Jumbo (later shortened to: Southern Jumbo and then SJ) was a fancier J-45. 1980 $1249 By late 1980, the Gibson deluxe tuners with Crank button, and Posi-Lok strap button were added. It was during the years of 1977 through 1986 that most of the high-end lines at Gibson were discontinued: The ES-350T, L-5S and the Mark Series among them. The more economical Student Grade instruments were often ladder braced. Ironically, after almost 40 years of making some of the worlds finest banjos, the Bacon and Day banjos were the first to carry David L. Days name. S2R, size 2 guitar with East Indian rosewood back & sides, chrome tuners. which do not feature a paper label. It would surprise me if there were 12 of those made as K banjos, however. The Advanced Jumbo has been described by some as the finest no compromises most powerful flat-top guitar Gibson ever designed and built. >I see no collectors market for banjos like yours.<. Introduced is the year of introduction. The 1975 price was $1,999. These appear to have a unique serial number scheme. USA produced Epiphones of this era bear standard Gibson serialization and include the "Made in USA" stamp on the back of the headstock. serial number 8382, New York, circa 1920s, intricate abalone shell inlay to fingerboard and headstock which also bears the Company logo. In the early years, due to the depression and the following wartime austerity, demand for this expensive instrument was limited and production quantities were small. See the notes below. There can easily be more numbers within each year listed. The designations were. I like it. Some banjo . The back and sides were still mahogany but the Southerner Jumbo had a dark wooden stripe separating the 2 back pieces. PB -- plectrum banjo. 30, 1909. MK-81 models were rosewood back & sides, ebony fingerboard with figured abalone block inlays & gold plated hardware. Its difficult to positively This is a strong playing. One of the advantages of choosing a banjo made in a small shop environment is the easy availability of customization. Body shape changed to square shoulder dreadnought. Sunburst was the only finish available for the J-45 until much later as the sunburst finish can hide flaws in the wood; this was a significant advantage during WW2 when clear wood was being used for the war effort. The following are a rough guide. The last 4 digits are a neck number. There were 431 made. So, take a look and . They did provide paper labels for the instrument that they represented but did not provide labels for custom instruments or other shops or manufacturers. The instruments had modified fan bracing and asymmetrical bridges. It was bound on the top, back, sides and around the fretboard. The tuners were individual. 3 hrs, 'Pisgah 12 Builders Choice Custom Walnut Dobson 5+1 String Banjo' 3 hrs, 'Custom 12inch Billybilt Banjo w Figured Maple neck and Curly maple RIckard Pot and Balch head' 4 hrs, '11inch Billybilt Banjo with Antique Spunover SS Stewart Pot and Curly Maple neck' 4 hrs, I see no collectors market for banjos like yours.<, We use cookies to ensure that we give you the best experience on our website. The L-series is very difficult to properly identify and date as they were inconsistent in their appointments and the catalog descriptions do not always agree with the actual instruments produced. The fingerboard typically has inlays made of silver or steel. Information compiled by Leonard Wyeth 2008, L Wyeth, Century General Introduced 1933 for the Century of Progress Exhibition @ $55. There is a steel tone ring on the maple rim, and the rim has a maple cap. The neck holds the strings secure using tuners, four of which are located at the peghead, with the fifth string tuning peg located almost halfway up the neck. There were many name variations for The Bacon Banjo Company, Inc. but it remained in Fred Bacons name from 1920 until the company closed in 1938. Early 1970's block shaped no dot over the "i" closed "b" and . It's difficult to positively identify the manufacturer of these . It might be a Fairbanks or Stewart, but there is no name anywhere on the instrument. In 1926 Gibson introduced the L-series guitars with the L-0 at $35 and the L-1 at $50 (1928 prices). However there were and are many different types, most of which can be found on this page. identify the manufacturer of these banjos in many cases, but some identify Higher grade models (such as the Super 400, L-5, J-200, etc.) Some SJNs with plastic Special Bridges. MK-35-12 models were only made in 1977. Lyon & Healy routinely used talon or patent 1897 The best way to date Larrive instruments is by the instrument labels. Start your day off right, with a Dayspring Coffee The headstock carried an inlayed script Gibson. This is a high-quality instrument. Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. Gretsch started a new serial number system. For example: In general: Bacon serial numbers begin in 1906 (1 and 2 digit) and run consecutively until the sale of the company to Gretsch in 1940 (5 digit). The early instruments built in Nashville suffered from inexperienced workers and climate-control problems in the humid South. The Larson bridge, if not otherwise specified by another company, is a rectangular flattened pyramid ebony style similar to those used by Lyon and Healy. To confuse matters, they also manufactured Bacon banjos that had been developed by Fred Bacon: the Professional, the Orchestra and the Blue Ribbon. The choice to discontinue the Mark Series had to do with the general turmoil of the Gibson company in the last years of ownership by Norlin. The braces were generally thin and numerous compared with other manufacturers. Several cost-cutting measures existed between the Advanced Jumbo and the J-35 including scalloped braces on the advanced Jumbo and not on the J-35. By the end in 1985-86, Gibson was basically down to the Les Paul model alone. Frets refers to the number of frets that are clear of the body. It became apparent early that the new design concept was good: they were, in fact, louder and more cutting in tone. There are no manufacture's labels or stamps on it. better-grade offerings frequently had notched, rather than grooved stretcher The first group in late 1936 had larger soundholes and long scales: 25 1/2. Ironically the first blond J-45s were actually built in July of 1942 (Called the J-45N for Natural) and the actual number of these shipped is not known for sure. string peg perch is typically carved out from the side of the neck as shown It is important to note that there are exceptions to every rule and the following is only a general guide for identifying Gibson "A" Style mandolins. It had a 24 3/4 scale and was constructed of all solid woods. The bridge were early simple rectangular with through-saddles. The narrower guitar sizes allowed for available materials. 1978 $1079 Tobacco sunburst is dropped for Fireburst; Maple is now described as Natural. So far as I can find Gibson appears to have only made "Stewart" instruments for a couple of years in the early 1930s. Sometimes (rarely) the labels are easy to read: the model and serial numbers hand-printed in ink and sometimes the information was written in pencil and is now barely legible. The Gibson Super Jumbo first appeared in 1937. Ss. This can often be found on the back of the peghead or on the inside rim of the banjo. I'm kind of with Bob on the Korea origin - almost screams Sam Ickfrom the 1980s to me - except that it's a little understated and the finish isn't as thick as you normally see on a Samickpresentation banjo. See Martin Serial Numbers for a dating information. Collector's Corner It was built for Hollywood singing star Ray Whitley as the worlds biggest and fanciest acoustic guitar. This peghead is found on low end, turn of the century, Lyon & Healy banjos, often with the L&H or Mystic brand stamped into the strut. Cherry Sunburst is still available. 2 foot pressed arm rest and flat head tone ring. It had a double ring of purfling around the soundhole, pearl dots on the fretboard, dark stained birch back and sides and The Gibson stamped on tailpiece cover. When it came out in 1942 it was the most expensive Gibson flat-top in the line. The back and sides were Brazilian rosewood and the tops Adirondack red spruce. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. The original V shape of the necks of the J-35s was replaced by distinctly round necks (baseball bats) and a tear drop pickguard. 14" resonator on the banjo examined is probably non original (Korean). The back braces were tall and thin and Gibson scalloped the top braces. The Aria 921C was a good quality 5-string banjo made in the early 1970s. The early models had shallow neck sets and low bridges that increased in angle around 1908 with taller bridges. Michael Wright has compiled one of the largest picture galleries of headstock photos in his book "Guitar Stories Vol. Pickguards between 1909 and 1921 +/- show a stamped patent date of Mar. Information gathered from many sources but there are a few that need to be acknowledged: Dan Beimborns original Mandolin Pages web site and later contributions to the Mandolin Archive. I just received this mando-banjo I bought on e-bay and I'm hoping someone can help me identify the builder. Music Love. CLR, Classic guitar with Indian rosewood back and sides, decorated binding, gold tuners. Sometimes a higher model number means a bigger and fancier instrument but there does not appear to be a thoughtful of consistent method for ascribing model numbers. S2M, size 2 guitar with mahogany back & sides. cases they carry no identifying name at all. There are also examples of A-2Zs without the Z on the lable but still sporting the black perfling line. Gibson hoped to score the same type of success that had occurred with Lloyd Loar in the 1920s: redefining the acoustic guitar for generations to come. Western movies were tremendously popular and the singing cowboy heroes needed instruments as big and bold as untamed West. Dr. Michael Kasha was a chemical physicist and the director of the Institute of Molecular Biophysics at Florida State University. Our 19th Year * Sign Up Now If1970s, would be Japanese, more likely. By 1936, with the depression still gripping the nation, Gibson moved to stay competitive and offer a more affordable option: The Advanced Jumbo (Advanced meaning that the size advanced: got bigger) with rosewood and fancier appointments that would compete with the Martin D-28 at $80 and the Jumbo 35 at $35 to compete with the Martin D-18. I just have a few questions. Other Banjo-Related Topics Manchester University, All Forums Example: U8034853 U = Unsung, 8 = 1998, 03 = March, 4853 = manufacturing number. The headstock face was veneered in black. Banjo serial numbers: During the 1920s, Gibson instruments were made in lots of 40s (for the most part, this procedure continues today). The space between the headstock center and the top of the lathe bed is the radius of the lathe swing. All Rights Reserved. I would sure like to hear what it sounds like. The decade following saw a change in finish from varnish to shinier lacquer. Knob changes usually following other Gibson electrics. Carl and August Larson built instruments between 1900 and 1944. For example: B&D had several un-numbered models between 1913 and 1920. tailpieces (see fourth row of pictures below) on many of their unmarked banjos, and their The model started production in 1938 as Gibsons top-of-the-line flat top guitar. The following versions evolved quickly to 14 frets clear of the body. The swing of a lathe is measured as the total diameter of a finished turned piece, such as a wood bowl. The concept behind the J-45 was a high quality, affordable, big-sounding acoustic flat-top guitar. Thanks for the feedback! Sunburst finish changes slightly: a cremona brown fading from the center amber to a reddish brown perimeter. banjo headstock identificationleap year program in python using for loop. Larger 2.25 wide by .140 laminated maple bridge plates replace 1 7/16 x .125 solid maple bridge plates, Change the body shape to square shoulder dreadnaughts, Injection molded .075 thick styrene pickguard replaces the older .025 thick celluloid pickguard, Plastic bolt-on bridge replaces the rosewood bridge, White pickguard with Gibson logo screwed down to the top. The 1934 version had a classic Gibson sunburst: the small amber center around the bridge about 1/4 of the top area. Between 1974 and 1984 production of Gibson guitars was slowly being shifted from Kalamazoo MI to Nashville TN. There's a small snag in the outer pocket webbing - otherwise it's like new. ARIA 921C. Rated 5.00 out of 5. and What's it sound like? Over time the J-35 braces began to appear scalloped. Hard-case rugged and gig-bag light! the teacher or distributor. Gibson had helped in the war effort and seen many employees enlist. Some FONs for 1942 include 7116-7119, 7434, 7705, 7721, 907, 910, 923, 928, 2004-2006, 2059, 2098, 2110, 2119. The tuners cogs are peened on the shafts (the peening sometihas a waffle design). Like all other companies, there are exceptions. The Gibson Southerner Jumbo was introduced in 1942 and discontinued in 1978. Design your own Huber Banjo. Our 19th Year * Sign Up Now It was reintroduced in limited editions in 1991. Factory Order Numbers (FON) in the 2600s to 2700s. New Location: 156137I know this is a mandolin forum, but the admins suggested I start here. mikehalloran - Posted-12/27/2013: 17:21:06. Yes, please do post your tune here on this page. It is very showy though. On rare occasions, some dates can be found on . Manchester University, Instruction * ConcertsJams * More Late 1940's "i" touches the "G" on "Modern" non cursive/script Gibson Logo. Naming the parts of a banjo. The soundhole had an additional thick white purfling ring. DVD-quality lessons (including tabs/sheet music) available for immediate viewing on any device. Description: Internally constructed from dense EPS foam, the exterior of this Gator banjo case is covered in rugged 600-denier ballistic . side of the top of the peghead (see last set of pictures below). The neck was basically the neck stocks from the L-5 archtop: 3 ply maple with single wide bound scalloped fretboard ends and headstocks and the early models had the L-5 flowerpot inlay on the headstock. Also, the first batch of J-45s had more binding both on the body and soundhole. Post war logo, 1947/8 to '60s found on various guitar like Melody Maker, Les Paul Jr, Special, Lg0, Lg2, Sg Jr, Special, ecc, ecc.Note the dot link to G. '70 Gold logo - Decal instead silkscreening. A Style mandolins were symmetrical and shaped like a teardrop. At the time, the Nick Lucas model was the largest flat-top Gibson offered. The Gibson stamped on tailpiece cover and inlaid in headstock. Augustino LoPrinzi has developed a fine reputation for classical guitars, ukuleles, steel string and 12-string guitars. Headstocks say LoPrinzi. S3R, Size 3 guitar with East Indian rosewood back & sides, chrome tuners. CMI acquired Gibson around May 1944. The top and back bindings were black plastic with red line highlights. G Edward Porgie - Posted - 06/16/2021: 14:40:30. Bottom belly ebony bridge with pyramids on the wings, Silk-screened script @ 15 degrees +/-: The Gibson, 3 on a plate open gear tuners white or black buttons, Top and body becomes all mahogany amber finish, Extra bridge pin centered below 6 in a line, L-0 Flattened lower bout increased to 14, Reintroduced as the least expensive Gibson flat-top @ $25, Body depth 3 ? at the neck and 4 3/8 at the heel, Pearl dot makers and double dots on the 12th fret, Old script silk-screened diagonal logo: The Gibson or just Gibson, Some striped tortoise plastic pickguards after 1933, Some bright white plastic pickguards after 1933, L-00 introduced as Gibsons lowest price flat-top @ $37.50, Small round amber area of sunburst just below the soundhole, Striped tortoise plastic pickguards added, Dot position markers on the fretboard edge, A few with banner logos decals on the headstocks, Light amber top Sheraton brown back & sides, Old script silk-screened diagonal logo: The Gibson, Flattened lower bout increased to 14 (possibly, Soundhole, bridge and bracing moved to compensate, Similar to the L-00 but with heavier braces, Pearl dot fretboard markers double on 12, Gold sparkle inlayed around top & soundhole, Tailpiece adjustable bridge option discontinued, Speckled celluloid pickguard added as an option, Some had 2 top braces under the fingerboard extension vs. one, Rosewood fretboard rectangle inlays at 3, 5, 7, 9, 12 & 15, Pearl diamond inlays in the rosewood rectangles, Gibson pearl diagonal headstock inlay in rosewood, in Pearloid, Pearloid headstock veneer replace with rosewood, Bound headstock, pearl Gibson, pearl truss rod cover and notched diamond inlay, No headstock binding, black truss rod cover and elongated diamond inlay, Body depth 4 at the neck and 4 5/8 at the heel, Brazilian rosewood pyramid bottom belly bridge, The Gibson pearl angled logo inlayed on headstock, Nick Lucas Special white label with picture of Nick Lucas, 14 fret neck to body joints (phased in by this time), Trapeze tailpiece with adjustable bridge option. serial number impressed to verso, 60 cm long Australian zither . Though it was discontinued in 1942, the last Advanced Jumbo left the Kalamazoo plant in 1940. They are maintained by Donna LoPrinzi in Clearwater Florida. Identify vintage banjo fleur de lis inlays on headstock & carved heel . The centerline of the neck had the black inlay. STONE BANJO CO - PEGHEAD SHAPES. Plectrum. It appears to be all original except for the bridge, which appears to be a banjo bridge crudely slotted for 8 strings, and the head, which is probably plastic. Mark Johnson; Regular Hours Mon-Fri: 10:00am-4:00pm Extended Hours January-April 8:30am-5:00pm; 239 West 400 North, Lindon UT; 801-785-3161 The necks were 1-piece mahogany V shape with a Brazilian rosewood fretboard at 12 radius. http://www.mugwumps.com. Martin introduced their versions of acoustic-electrics: the D-18E in 1958 and D-28E in 1959. 2. Script Gibson logo, Fretboard: Twin parallelograms inlays unbound 19 fret. The original Factory Order Numbers (FON) appear to show the first De Luxe Jumbos were delivered bewteen March and June of 1938 to Joe Wolverton, Ray Whitley and Gene Autry. 3 special model, serial number 8382, New York, circa 1920s, intricate abalone shell inlay to fingerboard and headstock which also bears the Company logo.

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